Opis: THE COMPLETE ENCYCLOPAEDIA OF PHOTOGRAPHY The most comprehensive reference work on the styles, techniques, equipment processes and practical applications of the photographer's art MICHAEL LANGFORD 1982, 432 strony, stan db+/bdb- ISBN The Complete Encyclopaedia of Photography is the most comprehensive single-volume guide to the subject ever compiled. A lasting source of information and inspiration, it will appeal to proficient photographers as well as to beginners. This unique illustrated reference book by Michael Lang-ford encompasses all the basic principles of photography as well as an exhaustive range of visual and practical skills, right up to professional and specialist levels. The Complete Encyclopaedia of Photography is carefully planned to make any aspect of photography -theory or technique - easily accessible. On the one hand, the information required to meet any immediate photographic situation can be found at a glance; but, in addition, a topic entry can be studied at length for in-depth knowledge. As well as wide-ranging coverage of camera and darkroom techniques, there is a major section on the aesthetics of photography, with special emphasis on the dynamics of composition, and another offering detailed guidance on photographing specialized subjects. A fascinating analysis of photographic styles and "schools" provides an historical perspective from earliest days to the present. Supplemented by technical data, glossaries, diagrams and charts, and lavishly illustrated throughout with specially commissioned photographs and the portfolio work of master photographers, The Complete Encyclopaedia of Photography is the ultimate guide to photographic expertise. Michael Langford's leading reputation as photographer, lecturer, and author of many best-selling practical photography titles is well established. His publications include sixteen books on photography and some 400 articles in British and American magazines. Total sales of his books now exceed one million copies, and many have been adopted as standard works for photographic courses, from secondary school to university. He is a frequent broadcaster on radio and he has also worked as an advisor to Yorkshire Television on their series of photography programmes. Michael Langford is a Fellow and Senior Tutor in Photography at the Royal College of Art, London. He is also a Fellow of the Royal Photographic Society and the Institute of Incorporated Photographers. A professional photographer for over twenty years, his work has appeared in forms ranging from magazine covers, newspapers and book jackets, to postage stamps and television commercials. Michael Langford has been particularly active in photographic education; he began teaching at the London College of Printing and was Head of the School of Photography at Birmingham College of Art and Design when appointed to the Royal College of Art. He is external assessor for several BA courses and is advisor to national examination boards for photography at school and college levels. THE ART OF PHOTOGRAPHY Natural light Light direction and quality Light and subject properties Light and colour Time of day Visual response Lighting contrast Tonal range and distribution High and low key Contrast and colour Light as subject Subject elements Line, shape, pattern, texture, form, and colour Saturation, brightness, and hue Warm and cold colours Inner elements Composition Format proportions Divisions of the frame Viewpoint and emphasis The Golden Mean Tone theory Structure Lead-in lines Colour themes Balance and symmetry Imbalance and tension Depth and distance Linear and aerial perspective Scale change Timing and movement The whole image THE TECHNIQUES OF PHOTOGRAPHY Camera principles and types Lens controls Focusing, aperture, and focal length The shutter Exposure How film works Choice of film Film response Light sources Lighting in the studio Mixed lighting Flash techniques Special effects lighting Additional equipment Wide-angle, fisheye, telephoto, and zoom lenses Close-up equipment Filters and lens attachments System cameras and accessories Special cameras and lenses Future design trends POST-CAMERA TECHNIQUES Processing Film and paper image formation Processing controls and equipment Processing film Time and temperature Assessing results The darkroom Printing techniques Print finishing Special printing techniques Special effects THE SPECIALIZED SUBJECT Scientific and technical photography High-speed photography, photomicrography, Schlieren techniques, and holography Medical and forensic photography Radiography, thermography, and sonography Astronomical photography Aerial photography Natural history photography Sports Architecture and landscape Editorial and advertising photography The human figure Individual, group, and nude portraits Reportage photography PHOTOGRAPHIC STYLES High Art photography Pictorialism Secessionist movements Impressionistic and naturalistic movements Straight photography The New Objectivity Group f 64 Human documentary styles The picture magazines The FSA project The war photographers Dynamism Futurism and Vorticism Structuralism and Abstraction Metaphor and Symbolism Equivalents Romanticism and the dramatic Surrealism SUBJECT AND TECHNICAL GLOSSARIES
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